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Being Watched: Yvonne Rainer and the 1960s (October Books)By Carrie Lambert-Beatty
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In her dance and performances of the 1960s, Yvonne Rainer famously transformed the performing body -- stripped it of special techniques and star status, traded its costumes and leotards for T-shirts and sneakers, asked it to haul mattresses or recite texts rather than leap or spin. Without discounting these innovations, Carrie Lambert-Beatty argues in Being Watched that the crucial site of Rainer's interventions in the 1960s was less the body of the performer than the eye of the viewer -- or rather, the body as offered to the eye. Rainer's art, Lambert-Beatty writes, is structured by a peculiar tension between the body and its display. Through close readings of Rainer's works of the 1960s -- from the often-discussed dance Trio A to lesser-known Vietnam war-era protest dances -- Lambert-Beatty explores how these performances embodied what Rainer called "the seeing difficulty." (As Rainer said: "Dance is hard to see.") Viewed from this perspective, Rainer's work becomes a bridge between key episodes in postwar art. Lambert-Beatty shows how Rainer's art (and related performance work in Happenings, Fluxus, and Judson Dance Theater) connects with the transformation of the subject-object relation in minimalism and with emerging feminist discourse on the political implications of the objectifying gaze. In a spectacle-soaked era, moreover -- when images of war played nightly on the television news -- Rainer's work engaged the habits of viewing formed in mass-media America, linking avant-garde art and the wider culture of the 1960s. Rainer is significant, argues Lambert-Beatty, not only as a choreographer, but as a sculptor of spectatorship.
- Sales Rank: #1780328 in Books
- Published on: 2008-08-15
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .69" w x 7.00" l, 2.17 pounds
- Binding: Hardcover
- 362 pages
Review
A brilliantly vivid description of Rainer, Judson, and art making in the 1960s, Being Watched sets a new scholarly standard for dance and performance studies. Combining impeccable archival work, a nuanced understanding of the drama of vision, and a lyrical sensitivity to movement, Being Watched is an absolute pleasure to read. In these pages, Rainer emerges as a muscular thinker, a complicated personality, and one of the most influential choreographers of our time. Great artists need great commentators and here we are fortunate to see a truly compelling duet.
(Peggy Phelan, The Ann O'Day Maples Chair in the Arts, and Professor of Drama and English,Stanford University)The book is a fantastic read and an exemplary text...a highly original analysis, this study is sure to become a classic.
(MJ Thompson TDR: The Drama Review) About the Author
Carrie Lambert-Beatty is Assistant Professor in the Department of History of Art and Architecture and the Department of Visual and Environmental Studies at Harvard University.
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